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Bluefat
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Welcome to bluefat, a magazine for music, film and
visual art devotees with open minds and a fondness for the diverse. Updated
weekly, bluefat is a deep plunge into works spanning wide formal regions,
from rock, pop, jazz and folk to international traditional music,
contemporary classical music and new-/non-genre sounds, as well as commentary
on groundbreaking new filmmakers. In-depth conversations with artists forging
paths outside the boundaries of popular taste visit realms where pure
expression is the name of the game. With the accent on illuminating the creative process
of music, film and artÕs rule-breaking inventors (and critical reappraisals
of artists previously deemed unworthy of that description), bluefat is a place for a novel dialogue
where writers and artists can collide and cross-pollinate Ñ and where
restrictive beliefs about categorization can and will be cheerfully
disregarded.
Ñ John Payne BluefatÕs founder and editor, John Payne, is a Los
Angeles-based veteran journalist and former music editor of the L.A.
Weekly; his writing on the vanguard of contemporary music has been seen in the L.A.
Times, Mojo, EQ, Arthur, High Times, Soma and many other publications. |
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Issue 2 September 2009 |
Sondre
Lerche; Philip Glass; Moby; Marianne Faithfull; Harry Partch; Papercuts;
Jean-Gabriel PŽriot; Baby Dee; Hecuba; Juliette CommagŽre; Robert Wyatt; The
Faraway Places; Sparks; Daedelus |
Schnittke: Symphony No. 9; Nels Cline; Alex Cline; Beer Wars; Kassin+2 |
Just
added: Milos
Forman; Modulations; Magma |